This essay critically examines Emanuel Rádl's definition of myth as the voice of nature. The author argues that myth resides beyond the boundaries of nature because it is fundamentally dependent on language and narrative. The transition from natural vocalizations to ritualistic and magical sounds represents a revolutionary shift in human consciousness. While ritual-like behaviors in the animal kingdom suggest a connection between physical nature and ritualized patterns, the human myth marks a qualitative break. The text explores whether historical innovations arise through the emancipation of pre-existing structures rather than the introduction of entirely foreign elements. This internal transformation suggests that what we perceive as new is often the result of cumulative internal interventions that gradually constitute our reality. Ultimately, the work offers a philosophical reflection on the ontology of myth, its roots in ritual, and its complex relationship with the natural world and the emergence of meaning.