This text explores the philosophical nature of creation and human activity, which functions against the general flow of events by aiming toward the future. The author distinguishes between the "artifact," representing the external material side of a creation, and the "work" itself, which constitutes its inner essence. While the artifact is physically stored in the past, the creator projects the actual work into the future. The process of understanding the work is described as an oscillating movement between the external form and the internal meaning, where the interpreter penetrates the core through clues provided by the artifact. This meontological analysis of the relationship between the material carrier and the non-physical essence serves as a vital tool for understanding "untrue beings." The study emphasizes that a work is not a closed object but a future-oriented entity requiring active comprehension to be fully realized. This perspective assists in analyzing complex phenomena with less defined boundaries than those of traditional artistic formats such as sculptures, scores, or literary works.