This text examines the relationship between poetry and philosophy through a reflection on Martin Heidegger’s encounter with the poet René Char. Char's observation regarding Heraclitus's "fullness of meaning" serves as a starting point for exploring the nature of Greek thought and language. The author analyzes Heidegger's interpretation of the Greek term kosmos, which encompasses diverse meanings such as order, radiance, and ornament. The core of the text focuses on the distinction between conceptual and poetic thinking. While conceptual thinking intentionally reduces the polysemy of words to focus on a specific intentional object, poetic thinking is essentially non-conceptual, preserving and utilizing a multiplicity of meanings. The analysis suggests that for a philosophy aware of the limits of object-oriented thinking, poetry provides a unique opportunity to study non-conceptual forms of thought. This is particularly significant as mythical thinking has become too distant from contemporary experience, leaving poetic expression as the primary site for such philosophical inquiry.