This text explores the relationship between individual and processual creativity. The author argues that, strictly speaking, creativity is only possible through individual subjects. Consequently, it critiques Henri Bergson’s view of attributing creativity to evolution, suggesting instead that evolution is a collective co-product of the creative acts of countless generations of individual subjects. The central problem addressed is how a not-yet-existing novelty can influence groups of subjects both synchronically and diachronically. To avoid the Darwinian reduction of creativity to mere randomness, the author suggests that the source of creativity must be understood as non-being, rather than being derived from pre-existing conditions. This necessitates the possibility of communication or contact between multiple subjects outside the realm of the existent. Although such a concept risks speculative interpretation, the author concludes that it is necessary to consider a form of con-creativity of a processual nature, allowing for a broader understanding of how creativity functions across groups and time.